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Tag: Visual Art

Interviews, Visual Arts Publishing, Visual Arts WritingLeave a comment

James Barth: Forecast

November 15, 2020July 17, 2024 Carrie McCarthy

James Barth’s approach to self-portraiture is as complex and multifaceted as the artist herself, exploring self-representation in a post-internet era where accessibility can quickly lead to vulnerability. Using a combination of analogue and digital techniques, Barth has carved out a … Continue reading James Barth: Forecast

Exhibition & Catalogue Essays, Visual Arts WritingLeave a comment

Julian Meagher: Sleepwalking

October 17, 2020July 17, 2024 Carrie McCarthy

Julian Meagher uses art to make sense of the world, charging his romantic compositions with difficult questions about masculinity, mortality and our nation’s self-image. His works speak to physical and social landscapes of Australia, the histories we inherit and how … Continue reading Julian Meagher: Sleepwalking

Exhibition & Catalogue Essays, Visual Arts WritingLeave a comment

Thea Anamara Perkins: Glimmer

September 15, 2020July 15, 2024 Carrie McCarthy

When artist Thea Anamara Perkins was thrust into the spotlight in early 2020 with her win in the prestigious Alice Prize, it was almost as though we’d always known her. The winning work, a portrait of her grandfather Charles and … Continue reading Thea Anamara Perkins: Glimmer

Exhibition & Catalogue Essays, Visual Arts WritingLeave a comment

Emily Imeson: Painting Tasmania

August 17, 2020July 17, 2024 Carrie McCarthy

Having spent the past few years as a perpetual nomad, passing through some of Australia’s most iconic landscapes, Emily Imeson can speak with authority on the therapeutic benefits of being engulfed by nature. For Imeson, it is fundamental to her … Continue reading Emily Imeson: Painting Tasmania

Exhibition & Catalogue Essays, Visual Arts WritingLeave a comment

Ari Athans: Arrival

August 16, 2020July 17, 2024 Carrie McCarthy

The Law of Superposition states that in any sequence of layered rocks, a given layer must be older than any layer on top of it. A basic law of geochronology, it is fundamental to the interpretation of Earth’s history and … Continue reading Ari Athans: Arrival

Exhibition & Catalogue Essays, Visual Arts WritingLeave a comment

Bronte Leighton-Dore: Made of Dust

July 17, 2020July 17, 2024 Carrie McCarthy

Whether surrounded by nature or in a sundrenched corner of her Darlinghurst studio, Bronte Leighton-Dore is inspired by the joy that comes from being wholly in the ‘now’. Informed by an abiding interest in psychology, spirituality and Buddhist theory, her … Continue reading Bronte Leighton-Dore: Made of Dust

Exhibition & Catalogue Essays, Visual Arts WritingLeave a comment

Julia Sirianni: Suburban Sanctuaries

June 17, 2020July 17, 2024 Carrie McCarthy

For Julia Sirianni, painting is more than a pastime – it is a way of finding calm in a world that causes anxiety.  Location is everything. Each painting is the result of hours of research, scouring landscapes for the perfect … Continue reading Julia Sirianni: Suburban Sanctuaries

Exhibition & Catalogue Essays, Visual Arts WritingLeave a comment

Helle Cook: Community of Light

March 2, 2020July 15, 2024 Carrie McCarthy

It is hard for Australians to appreciate the precious commodity daylight can be. Being almost permanently sun-drenched across the continent, it’s easy to take our weather for granted. Days when the sun is not a dazzling, stinging, fireball high above … Continue reading Helle Cook: Community of Light

Curatorial ProjectsLeave a comment

TRACE 2019

August 7, 2019July 15, 2024 Carrie McCarthy

TRACE is a biennial exhibition and art auction in Brisbane’s bustling West End. It raises needed funds for Community Plus’s vital services, and integrates contemporary art within the community. Audiences will be guided to view artworks installed in participating retail … Continue reading TRACE 2019

Community Arts, Curatorial ProjectsLeave a comment

Keg de Souza: Common Knowledge and Learning Curves

July 19, 2019July 19, 2024 Carrie McCarthy

Common Knowledge and Learning Curves expands on Keg de Souza’s interest in the ways we teach and learn, exploring common knowledge held by communities and maintained across generations. Curated and developed by Artspace, Sydney, and presented in partnership with Griffith … Continue reading Keg de Souza: Common Knowledge and Learning Curves

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