Monica Rohan’s Fall to Grace
It’s a funny sort of self portraiture that keeps the face hidden. I’ve never fully understood why an artist does it. Is it because they don’t want the work pegged solely as self-portraiture? Or they’re rubbish at painting faces? Maybe seeing their face before them is a bit like when I hear my voice on a recording and recoil in horror. That’s not me. Perhaps it’s that faceless self-portraiture protects the artist from explicit recognition and having to explain. Whatever events and emotions may be covered in a work, without the inclusion of the face, the identity of the protagonist … Continue reading Monica Rohan’s Fall to Grace
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